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Vietnamese puppeteer Dương Văn Học leaves a legacy with 30 donated masterpieces

A lifetime of artistry now lives on in Hà Nội. Meet the man who redefined puppetry—and why his creations belong in Vietnam’s cultural heart.

This picture consists of sculptures in the image.
This picture consists of sculptures in the image.

Vietnamese puppeteer Dương Văn Học leaves a legacy with 30 donated masterpieces

Puppeteer Dương Văn Học has donated more than 30 puppets to Hà Nội Museum, marking a lifetime of dedication to solo puppetry. The museum is now honouring his contributions to Vietnamese performing arts. His career spans decades, from choreography to pioneering a unique form of puppetry that captures the depth of human experience.

Born in 1942 on Hàng Bạc Street in Hà Nội, Học began his artistic journey as a choreographer. He later shifted to writing and directing before embracing puppetry as his true calling. His early works, including Boat on the River and The Death of the Swan, showcased his talent and established his creative voice.

Học is recognised as a pioneer in developing solo puppetry in Việt Nam. He views the art form as extraordinary, capable of portraying the full range of human life. Throughout his career, the puppets and artefacts he created remained close to him, accompanying his performances and creative process.

Beyond performing, Học set up a private Contemporary Solo Puppetry Museum at his home in Khánh Hòa province. His donation to Hà Nội Museum reflects his commitment to preserving puppetry as part of national heritage. The museum plans to feature performing arts, including his puppets, in its exhibitions to educate visitors about Vietnam’s cultural traditions.

The donated puppets will now become part of Hà Nội Museum’s collection, ensuring Học’s legacy endures. His work has shaped solo puppetry in Vietnam, blending innovation with tradition. The museum’s recognition highlights his lasting impact on the country’s artistic heritage.

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